The central character, Minnie (Rona Morison) is an aspiring comic book illustrator and her drawings suffuse the play, realised here with the use of projections. Nina and her team animated, embellished and supplemented Glöckner’s within the video design. Video also teamed up with lighting on numerous occasions.
Its’ been a while but here is a little taster reel showing selection of the studio’s work using video in Live Events and Environments. If you want to find out […]
Painting with light – The Seven Acts of Mercy, RSC Anders Lustgarten’s newest play has seen its world premiere in the Swan Theatre in Stratford. The commission – part of the Shakespeare […]
Nina spent a week working with Wexford Festival Opera as a Projection Design Consultant on their season’s opening show, Koanga, directed by Michael Gieleta, conducted by Stephen Barlow and designed by […]
The University of Sussex this weekend paid tribute to the late Lord Richard Attenborough, former Chancellor of the University, on the anniversary of his death (24th August), with a celebration […]
Never before had I seen 21st century technology integrated so seamlessly into a Jacobean script, with Lady Politic Would-Be’s Made In Chelsea-esque documentary, and Volpone’s use of screens to futher […]
Alice’s Adventures Underground – in the mirror, down the rabbit hole, under the mushroom & up to the moon In her first collaboration with Theatre makers, Les Enfants Terribles, and working […]
Who will make up the video team? Working in the Theatre and Live Events is a collaborative exercise both within and across departments. The same applies to video in shows. […]
Is Video expensive to use in live performance? Given that expensive is a relative term and that Theatres tend not to have huge budgets, yes! A better question is: is […]
Why should I use Video in my Show? What a good question to start with? It may seem to be an obvious one too but I have been in meetings […]
