• PixelLux’s Creative Director, Nina Dunn, has returned to the National Theatre for a third time to co-design projections with Gino Ricardo Green for Clint Dyer’s ‘revelatory’ production of Othello.

    A revelatory Othello, The National Theatre – London
  • Nina Dunn joined forces with Samuel Wyer to create the Scenography for a new Double Bill at the Teatro Colòn in Buenos Aires, directed by Sophie Hunter and with conductor, Jan Latham-Koenig. The Double Bill was a thrilling pairing of Kurt Weill’s The Seven Deadly Sins followed by Béla Bartóks Bluebeard’s Castle.

    The Seven Deadly Sins / Bluebeard’s Castle
  • “The Trials” is a play by Dawn King, staged at The Donmar Warehouse in July 2022, examining climate change responsibility through a trial involving adults judged by youth.

    The Trials – The Donmar  Warehouse
  • Looking under the hood of the Video Design for Bonnie & Clyde The Musical – Projection for a runaway success.

    Bonnie & Clyde – The Musical
  • Birmingham Royal Ballet and Sadler’s Wells “A gothic video design by Nina Dunn, like something out of a Tim Burton film.” – The Times This was to be Carlos Acosta’s first new show for Birmingham Royal Ballet in his new role as their Artistic Director – originally planned for a 2020 premiere – working with…

    Don Quixote – Carlos Acosta Danza
  • Nina Dunn designed the video for The Shark is Broken, consisting of an ever-evolving immersive seascape that supports the action within Duncan Henderson’s detailed recreation of the famous Orca used in the film.

    The Shark is Broken