This weekend saw the final stop on a UK Tour of a new contemporary dance work by Shobana Jeyasingh Dance that deals with the subject of the influenza pandemic of 1918. The show was commissioned by 14-18 Now as one of a series of Art commissions to commemorate the centenary of World War One.
Projections were integral to the storytelling of the piece. They played upon Merle Hensel’s enigmatic set of cascading white plinths as well as the bodies of the dancers with imagery ranging from a solitary girl skipping to oversized viruses creeping across the space and Egon Schiele – inspired sick and dying figures. Video also dramatises the physical effects of the virus with lungs appearing on the chests of prostrate dancers that are overtaken by antibodies, haemorrhage textures and the black-blue of cyanosis as oxygen leaves the bloodstream.
Yaron Abulafia’s strong and dimensional lighting combined with Graeme Miller’s score and testimonials (delivered through individual headphones) combined to create an atmospheric and emotional environment within which the extraordinary movement of Shobana’s dancers could be showcased.
The show received an extraordinary reception on its way around the country, touring to non-standard performance spaces ranging from Museums to former Army Barracks Gymnasia.
Jeyasingh’s name may be above the door, but this work is a true collaboration, with Merle Hensel’s set and costumes, Yaron Abulafia’s lighting, Nina Dunn’s video design and Graeme Miller’s composition melting into one another with sleek fluidity.
The rig consisted of 7 RZ970 Panasonic Laser projectors controlled by Disguise Media Server supplied by Blue-i Event Technology. The Chief Video Engineer was Gillian Tan with Jon Rettke as Touring Production Video. Matt Brown and Laura Salmi were assistants to Nina Dunn, who designed the video. Olly Venning provided 3D animation and thanks are due to Peter Kirkup for his consultancy.